Flemish, 1415-1475]"> Flemish, 1415-1475]">

Fine Art Presentations

 An e.Gallery for Artists
Bouts, Dieric [Flemish, 1415-1475] 

Home

Index

Search

Contact

About

Artists

Nationality

Collections

Movements

Centuries

 Navigate: Home → Site index  → Flemish  → Bouts Dieric  [Link Partners]  [Help]    Help support the e.Gallery!   

Bouts, Dieric [Flemish, 1415-1475]


[ 15th Century Artists ]
portrait

Dieric Bouts the Elder (born ca. 1415, Haarlem, died 1475, Leuven), came from the Northern Netherlands. He would seem to have been born in Haarlem, but no documentation has survived to prove this. What we do know for certain is that he worked in Louvain and that a certificate issued by that town on 12 July 1476 describes him as being of foreign origin: “nativi ex patriam.” We do not know when he was born, only that it must have been some time between 1410 and 1420. Nor do we know who his masters were, though the influence of Rogier Van der Weyden is so clearly visible that it seems likely he may have worked in Rogier's studio in Brussels.

He married Katherina Van der Brugghen, the daughter of a rich Louvain family, no later than 1448. She bore him four children. The two boys, Dieric II and Albert, were later to become painters like their father. The name of Bouts is first recorded in the Louvain archives in 1457. Thence forward, it reappears in connection both with the purchase or inheritance of property and with commissions for various paintings. From this very first mention, Bouts is described as a painter: “Dieric Bouts schildere” (1457), for example, or “Theodorum Bouts pictor ymaginum” (1458).

The fact that nine years elapsed between his marriage and the first mention of his name in the city records at Louvain has led certain historians and biographers to suggest that Bouts returned to Haarlem during this time, where they see him exerting a certain influence on the Northern school of artists.

In late 1468 or early 1469, Bouts was appointed “official painter of the town of Louvain.” He was widowed, and remarried in 1473, taking as his second wife one Elisabeth Van Voshem. He died two years later, on 6 May 1475, and was buried in the Minderbroerderkerk, the Franciscan church of Louvain, which stood close by his house.

The earliest works to have been attributed to Bouts are the three panels of the Triptych of the Virgin, in the Prado in Madrid, and various versions of the Virgin and Child. These paintings are very close in style to Rogier Van der Weyden, sometimes so close as to be virtually undistinguishable.

It is with the Descent from the Cross, in the cathedral at Granada, that a truly personal style begins to emerge. In the National Gallery Entombment, Bouts took Van der Weyden's model and totally transformed its meaning.

Dieric Bouts has sometimes been referred to simply as a portrait painter, so exceptional were his achievements in this genre. His Portrait of a Man, in the National Gallery in London, dated 1462, is an absolute masterpiece for example. Besides the remarkable Portrait of a Man, few of Bouts's paintings can be attributed to him or even dated with any great certainty. Of those that can, the three most important pieces are the Triptych of the Martyrdom of St Erasmus, in the collegiate church of St Peter in Louvain, the Altarpiece of the Holy Sacrament, in the same church, and the diptych The Justice of Emperor Otto III, in the Brussels Musée royal des Beaux-Arts. This diptych belongs to the genre of the justice scene. It was painted by Bouts towards the end of his life for the council room in the town hall at Louvain, which had been completed in 1460.

His style was highly influential and was continued by his two sons, Dieric the Younger (c. 1448–90/91) and Aelbrecht (c. 1450/60–1549).

From October of 1916 through January of 1917, Rudolf Steiner gave a series of nine lectures known as the Art Course. These lectures were given the title of: The History of Art. Click here to discover what Steiner said about Dieric Bouts in the sixth lecture, or in the entire lecture series.

[*] [Spacer]

  Bouts, Dieric [Flemish, 1415-1475]

bLog Link

More info from ArtCyclopedia 



No Galleries
Previous Level Top Level

(7 Images, Page 1 of 1)
Size: 588 KB [thumbnail of Thiems_Bouts_2.jpg]
Dims: 727 x 900
Type: JPG
File: Thiems_Bouts_2.jpg
Title: Crucifixion of Jesus
  
Size: 254 KB [thumbnail of HA06-025a.jpg]
Dims: 900 x 896
Type: JPG
File: HA06-025a.jpg
Title: The Pearl of Brabant: Adoration of the Magi (detail, center panel) Adoration of the Magi
Size: 100 KB [thumbnail of bouts6.jpg]
Dims: 461 x 650
Type: JPG
File: bouts6.jpg
Title: Portrait of a Man (Jan van Winckele?)
  
Size: 92 KB [thumbnail of HA06-026.jpg]
Dims: 353 x 748
Type: JPG
File: HA06-026.jpg
Title: Triptych: The Pearl of Brabant (Adoration of the Magi), left panel St John the Baptist
  
Size: 97 KB [thumbnail of HA07-043.jpg]
Dims: 607 x 604
Type: JPG
File: HA07-043.jpg
Title: Adoration by the Wise Men
Size: 150 KB [thumbnail of HA06-025.jpg]
Dims: 900 x 445
Type: JPG
File: HA06-025.jpg
Title: Triptych: The Pearl of Brabant (Adoration of the Magi)
Size: 70 KB [thumbnail of HA06-026a.jpg]
Dims: 365 x 748
Type: JPG
File: HA06-026a.jpg
Title: Triptych: The Pearl of Brabant (Adoration of the Magi) right panel St. Christopher
  
(7 Images, Page 1 of 1)


Some Fine Print: All images, pictures, etc. contained here are gleaned from Usenet, or some other public access archive. We believe all entries to be in the public domain and, therefore, are without restriction for personal use. Should you want to use any image on this site for commercial purposes, you will need to consult with a competent attorney to determine your rights. If you see errors or omissions (e.g., missing artists, artist not cross-referenced by century or ethnicity), or if you own the copyright to an image displayed here, please contact us.


 Fine Art Presentations v1.6a
 Copyright 1990-2024 The e.Lib, Inc. 
27980191 total hits since Tuesday February 8th. 5032 hits today.
Page was last updated on Monday July 08, 2024 at 05:43:14.
Powered by Thinking! [Valid RSS]