Daniele Crespi
spent his career producing religious subjects of which
the most famous is his portrayal of S. Carlo Borromeo at Supper
1628, Milan, Chiesa della Passione. Here the saint's austerity,
simplicity, and piety are given powerful visual expression in a
manner that has strong affinity with the Spanish realists of the
early seventeenth century, particularly
Zurbarán.
Reportedly he was
thirty three at his death in 1630, so his birthdate would likely be
1596 or 1597. By the time he was accepted into Giovanni Battista
Crespi's classes taught in the Accademia Ambrosiana in 1621, he was
reportedly already too busy with commissions to attend.
He is first
recorded assisting
Guglielmo Caccia
on the frescoes for the dome of
the church of S. Vittore al Corpo, Milan, ca. 1619. Crespi is
credited with the massive Michelangelesque figures of the
Evangelists in the pendentives. In 1621 he completed Four
Evangelists for the pendentives of the Capella dell1 Annunciata of
S. Eustorgio,Active in Milan, Crespi also received commissions from
Novara, Piacenza, and Pavia, including the frescoes and three
canvases depicting the life of St. John the Baptist for the Capella
di San Giovanni Battista in San Protaso ad Monachos, Milan, of
1623. Now transferred to the Basilica di San Giovanni at Busto
Arsizio, they show Crespi rapidly moving toward an austere realism,
still tempered by the gentle sweetness of
Correggio.
Crespi's career was cut short by the plague of 1630.
Crespi may have been
more responsive than earlier artists to the Spanish influence prevalent
in Milan during the early part of the century. It is notable in such
paintings as the half length saints set along the nave pillars of
Ste. Maria della Passione in Milan, or his Martyrdom of St. Mark dated
1626, Novara, church of S. Marco. Cerano delivered his Savior in Glory
with Saints to the Certosa of Pavia in 1628. His last major effort was
the fresco cycle, finished in 1629, portraying the lives of St. Hugo
and Bruno on the walls and ceiling of the nave of the Certosa di Garegnano
on the outskirts of Milan.