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van der Goes, Hugo [Dutch, 1440?-1482] 











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van der Goes, Hugo [Dutch, 1440?-1482]

[ 15th Century Artists ]

Hugo van der Goes (b. circa 1440, d. 1482), is considered to be the greatest Netherlandish painter of the second half of the 15th century.

Nothing is known of his life before 1467, when he became a master in the painters' guild at Ghent. He had numerous commissions from the town of Ghent for work of a temporary nature such as processional banners, and in 1475 he became dean of the painters' guild. In the same year he entered a priory near Brussels as a lay-brother, but he continued to paint and also to travel. In 1481 he suffered a mental breakdown (he had a tendency to acute depression) and although he recovered, died the following year. An account of his illness by Gaspar Ofhuys, a monk at the priory, survives; Ofhuys was apparently jealous of Hugo and his description has been called by Erwin Panofsky ‘a masterpiece of clinical accuracy and sanctimonious malice’.

No paintings by Hugo are signed and his only securely documented work is his masterpiece, a large triptych of the Nativity known as the Portinari (Uffizi, Florence, c.1475–76). This was commissioned by Tommaso Portinari, the representative of the House of Medici in Bruges, for the church of the Hospital of Sta Maria Nuova in Florence, and it exercised a strong influence on Italian painters with its masterful handling of the oil technique. There is a great variety of surface ornament and detail, but this is combined with lucid organization of the figure groups and a convincing sense of spatial depth. As remarkable as Hugo's skill in reconciling grandeur of conception with keep observation is his psychological penetration in the depiction of individual figures, notably the awe-struck shepherds. The other works attributed to Hugo include two large panels probably designed as organ shutters (Royal collection, on loan to National Gallery of Scotland). His last work is generally thought to be the Death of the Virgin (Groeningemuseum, Bruges), a painting of remarkable tension and poignancy that seems a fitting swansong for such a tormented personality.

From October of 1916 through January of 1917, Rudolf Steiner gave a series of nine lectures known as the Art Course. These lectures were given the title of: The History of Art. Click here to discover what Steiner said about Hugo van der Goes in the sixth lecture, or in the entire lecture series.

  van der Goes, Hugo [Dutch, 1440?-1482]

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Title: Adoration of the Shepherds
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Title: Portrait of a Man
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Title: Adoration of the Magi
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Title: Calvary Triptych (left wing)
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Title: Portinari Altarpiece (detail) St. Margaret and St. Mary Magdalene, , Maria Baroncelli and Daughter
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Title: Portinari Altarpiece, center panel The Adoration of the Shepherds (detail)
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Title: Adoration of the Shepherds (left panel)
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Title: Portinari Altarpiece, center panel The Adoration of the Shepherds
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File: HA06-029.jpg
Title: Portinari Altarpiece/Portinari Triptych (detail) St Thomas and St Anthony
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File: HA06-031.jpg
Title: The Death of the Virgin (The Death of Mary)
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Title: Calvary Triptych (right wing)
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Title: Adoration of the Shepherds (center panel: Portinari Altarpiece)
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File: HA06-032.jpg
Title: Adam and Eve. The Fall (left panel of diptych)
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Title: Calvary Triptych
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