Max Ernst
(b. 1891, Bruhl, Germany; d. 1976, Paris), was born on April 2,
1891, in Bruhl, Germany. He enrolled in the University at Bonn in
1909 to study philosophy, but soon abandoned this pursuit to
concentrate on art. At this time he was interested in psychology
and the art of the mentally ill. In 1911 Ernst became a friend of
August Macke
and joined the Rheinische Expressionisten group in Bonn. Ernst showed
for the first time in 1912 at the Galerie Feldman in Cologne. At the
Sonderbund exhibition of that year in Cologne he saw the work of
Paul Cézanne,
Edvard Munch,
Pablo Picasso,
and
Vincent van Gogh.
In 1913 he met Guillaume Apollinaire and
Robert Delaunay
and traveled to Paris. Ernst participated that same year in the Erste
deutsche Herbstsalon. In 1914 he met
Jean Arp,
who was to become a lifelong friend.
Despite military
service throughout World War I, Ernst was able to continue painting
and to exhibit in Berlin at Der Sturm in 1916. He returned to
Cologne in 1918. The next year he produced his first collages and
founded the short-lived Cologne
Dada
movement with
Johannes Theodor Baargeld;
they were joined by Arp and others. In 1921 Ernst exhibited for the
first time in Paris, at the Galerie au Sans Pareil. He was involved in
Surrealist
activities in the early 1920s with
Paul Eluard
and
André Breton.
In 1925 Ernst executed his first frottages; a series of frottages was
published in his book Histoire naturelle in 1926. He collaborated with
Joan Miró
on designs for Sergei Diaghilev that same year. The first of his
collage-novels, La Femme 100 têtes, was published in 1929. The
following year the artist collaborated with
Salvador Dalí
and Luis Buñuel on the film L'Age d'or.
His first American
show was held at the Julien Levy Gallery, New York, in 1932. In
1936 Ernst was represented in Fantastic Art,
Dada,
Surrealism
at the Museum of Modern Art in New York. In 1939 he was interned in
France as an enemy alien. Two years later Ernst fled to the United
States with Peggy Guggenheim, whom he married early in 1942. After
their divorce he married Dorothea Tanning and in 1953 resettled in
France. Ernst received the Grand Prize for painting at the Venice
Biennale in 1954, and in 1975 the Solomon R. Guggenheim Museum gave
him a major retrospective, which traveled in modified form to the
Musée National d'Art Moderne, Paris, in 1975. He died on April
1, 1976, in Paris.