Fine Art Presentations

 An e.Gallery for Artists
Renoir, Auguste-Pierre [French, 1841-1919] 











 Navigate: Home → Movement  → Impressionist  → Renoir Auguste-Pierre  [Link Partners]  [Help]    Help support the e.Gallery!   

Renoir, Auguste-Pierre [French, 1841-1919]

[ Biography | 19th Century Artists | Impressionist Artists ]

Pierre-Auguste Renoir (b. Feb. 25, 1841, Limoges, France — d. Dec. 3, 1919, Cagnes)
French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women (e.g. , Bathers, 1884-87).

Renoir, Pierre-Auguste (1841-1919). French Impressionist painter, born at Limoges. In 1854 he began work as a painter in a porcelain factory in Paris, gaining experience with the light, fresh colors that were to distinguish his Impressionist work and also learning the importance of good craftsmanship. His predilection towards light-hearted themes was also influenced by the great Rococo masters, whose works he studied in the Louvre. In 1862 he entered the studio of Gleyre and there formed a lasting friendship with Monet, Sisley, and Bazille. He painted with them in the Barbizon district and became a leading member of the group of Impressionists who met at the Café Guerbois. His relationship with Monet was particularly close at this time, and their paintings of the beauty spot called La Grenouillère done in 1869 (an example by Renoir is in the Nationalmuseum, Stockholm) are regarded as the classic early statements of the Impressionist style. Like Monet, Renoir endured much hardship early in his career, but he began to achieve success as a portraitist in the late 1870s and was freed from financial worries after the dealer Paul Durand-Ruel began buying his work regularly in 1881. By this time Renoir had 'travelled as far as Impressionism could take me', and a visit to Italy in 1881-82 inspired him to seek a greater sense of solidarity in his work. The change in attitude is seen in The Umbrellas (NG, London), which was evidently begun before the visit to Italy and finished afterwards; the two little girls on the right are painted with the feathery brush-strokes characteristic of his Impressionist manner, but the figures on the left are done in a crisper and drier style, with duller coloring. After a period of experimentation with what he called his ‘manière aigre’ (harsh or sour manner) in the mid 1880s, he developed a softer and more supple kind of handling. At the same time he turned from contemporary themes to more timeless subjects, particularly nudes, but also pictures of young girls in unspecific settings. As his style became grander and simpler he also took up mythological subjects (The Judgement of Paris; Hiroshima Museum of Art; 1913-14), and the female type he preferred became more mature and ample. In the 1890s Renoir began to suffer from rheumatism, and from 1903 (by which time he was world-famous) he lived in the warmth of the south of France. The rheumatism eventually crippled him (by 1912 he was confined to a wheelchair), but he continued to paint until the end of his life, and in his last years he also took up sculpture, directing assistants (usually Richard Guino, a pupil of Maillol) to act as his hands (Venus Victorious; Tate, London; 1914).

Renoir is perhaps the best-loved of all the Impressionists, for his subjects — -pretty children, flowers, beautiful scenes, above all lovely women — -have instant appeal, and he communicated the joy he took in them with great directness. ‘Why shouldn't art be pretty?', he said, ‘There are enough unpleasant things in the world.’ He was one of the great worshippers of the female form, and he said ‘I never think I have finished a nude until I think I could pinch it.’ One of his sons was the celebrated film director Jean Renoir (1894-1979), who wrote a lively and touching biography (Renoir, My Father) in 1962.

  Renoir, Auguste-Pierre [French, 1841-1919]

bLog Link

More info from ArtCyclopedia 

No Galleries
Previous Level Top Level

Click here to purchase related items. from

(152 Images, Page 1 of 11)
Size: 129 KB
Dims: 780 x 998
Type: JPG
File: renoir-after_the_bat
[thumbnail of renoir-after_the_bat]
Size: 118 KB
Dims: 793 x 987
Type: JPG
File: renoir_portrait_of_h
[thumbnail of renoir_portrait_of_h]
Size: 190 KB
Dims: 828 x 1040
Type: JPG
File: chocquet.jpg
[thumbnail of chocquet.jpg]
Size: 30 KB
Dims: 362 x 480
Type: JPG
File: renoir-baigneuse.jpg
[thumbnail of renoir-baigneuse.jpg]
Size: 195 KB
Dims: 783 x 989
Type: JPG
File: renoir_self-portrait
[thumbnail of renoir_self-portrait]
Size: 110 KB
Dims: 879 x 611
Type: JPG
File: renoir_coco_reading_
[thumbnail of renoir_coco_reading_]
Size: 129 KB
Dims: 1032 x 831
Type: JPG
File: lunch.jpg
[thumbnail of lunch.jpg]
Size: 126 KB
Dims: 788 x 1046
Type: JPG
File: renoir-female_nude-c
[thumbnail of renoir-female_nude-c]
Size: 17 KB
Dims: 338 x 480
Type: JPG
File: renoir-baigneuse_ii.
[thumbnail of renoir-baigneuse_ii.]
Size: 162 KB
Dims: 791 x 896
Type: JPG
File: renoir-bathing_woman
[thumbnail of renoir-bathing_woman]
Size: 216 KB
Dims: 827 x 1034
Type: JPG
File: terrace.jpg
[thumbnail of terrace.jpg]
Size: 138 KB
Dims: 930 x 748
Type: JPG
File: renoir-psyche-c1910.
[thumbnail of renoir-psyche-c1910.]
Size: 90 KB
Dims: 477 x 760
Type: JPG
File: mother_children.jpg
[thumbnail of mother_children.jpg]
Size: 140 KB
Dims: 810 x 1056
Type: JPG
File: seatbath.jpg
[thumbnail of seatbath.jpg]
Size: 70 KB
Dims: 604 x 886
Type: JPG
File: bazille.jpg
[thumbnail of bazille.jpg]
(152 Images, Page 1 of 11)
Powell's Books Ad
Image 9783723514856.jpgDas Wesen Der EurythmieImage 9781258003111.jpgOn the Growth of Plants: Causes of Infa ...Image 9783772509667.jpgDie WaldorfpuppeImage 9781258111601.jpgOur Obligation to Rudolf Steiner in the ...

Some Fine Print: All images, pictures, etc. contained here are gleaned from Usenet, or some other public access archive. We believe all entries to be in the public domain and, therefore, are without restriction for personal use. Should you want to use any image on this site for commercial purposes, you will need to consult with a competent attorney to determine your rights. If you see errors or omissions (e.g., missing artists, artist not cross-referenced by century or ethnicity), or if you own the copyright to an image displayed here, please contact us.

 Fine Art Presentations v1.6a
 Copyright 1990-2022 The e.Lib, Inc. 
4749195 total hits since Tuesday February 8th. 17966 hits today.
Page was last updated on Saturday September 24, 2022 at 11:29:48.
Powered by Thinking! [Valid RSS]
Please Donate