Fine Art: Giovanni Bellini: Agony in the Garden, 1459 [London] - agony_d.jpg [00/01] Fine Art: Giovanni Bellini: Giovanni Emo, 1475 [Washington] - emo.jpg [00/01] Fine Art: Giovanni Bellini: Madonna with Saints, 1505 [Venice] **with long comment** - madonna.jpg [00/01] Fine Art: Giovanni Bellini: St. Francis in the Desert, 1480 [New York] - st_franc.jpg [00/01] Fine Art: Giovanni Bellini: The Feast of the Gods, 1514 [Washington] - feast.jpg [01/01] Fine Art: BELLINI, "Madonna of the Meadow" - madonna_meadow.jpg (0/1) BELLINI, Giovanni The Madonna of the Meadow c. 1505 Transferred from panel National Gallery, London BELLINI, Giovanni St. Francis in the Desert c. 1480 Tempera and oil on panel 49 x 55 7/8 in. (124.4 x 141.9 cm) Frick Collection, New York BELLINI, Giovanni Detail of: c. 1459 National Gallery, London BELLINI, GIOVANNI Madonna with saints 1505 Altar painting: oil on wood, transferred to canvas 402 x 273 cm (158 1/2 x 102 1/2 in.) Church of S. Zaccaria, Venice "When one enters the little church of San Zaccaria in Venice and stands before the picture which the great Venetian painter Giovanni Bellini (1431?-1516) painted over the altar there in 1505 - in his old age - one immediately notices that his approach to color was very different. Not that the picture is particularly bright or shining. It is rather the mellowness and richness of the colors that impress one before one even begins to look at what the picture represents. I think that even the photograph conveys something of the warm and gilded atmosphere which fills the niche in which the Virgin sits enthroned, with the infant Jesus lifting His little hands to bless the worshippers before the altar. An angel at the foot of the altar softly plays the violin, while the saints stand quietly at either side of the throne: St Peter with his key and book, St Catherine with the palm of martyrdom and the broken wheel, St Lucy and St Jerome, the scholar who translated the Bible into Latin, and whom Bellini therefore represented as reading a book. Many Madonnas with saints have been painted before and after, in Italy and elsewhere, but few were ever conceived with such dignity and repose. In the Byzantine tradition, the picture of the Virgin used to be rigidly flanked by images of the saints, Bellini knew how to bring life into this simple symmetrical arrangement without upsetting its order. He also knew how to turn the traditional figures of the Virgin and saints into real and living beings without divesting them of their holy character and dignity. He did not even sacrifice the variety and individuality of real life - as Perugino had done to some extent. St Catherine with her dreamy smile, and St Jerome, the old scholar engrossed in his book, are real enough in their own ways, although they, too, no less than Perugino's figures, seem to belong to another more serene and beautiful world, a world transfused with that warm and supernatural light that fills the picture." BELLINI, Giovanni Giovanni Emo c. 1475-83 Oil on wood 19 1/4 x 13 7/8 in. (49 x 35 cm) National Gallery of Art, Washington MARK HARDEN scanned this image and archived it in his MUSEUM OF ART (follow the link to the "Artchive") About 2000 scans from 200 artists, free for non-profit personal or educational use. Please do not endanger their availability by improper use! You can have your own CD-ROM of the entire site by joining the Patron Program